March 16, 2011- On March 25, 1911, a fire that broke out in a bin holding scraps of fabric at the Triangle Waist Company, just down the block from New York City’s Washington Square Park, quickly spread, fed by cotton garments, tissue paper and wooden fixtures. Though the building that housed the clothing manufacturer was modern and advertised as fireproof, the cramped layout of the factory, a locked exit door, a flimsy fire escape that soon crumpled and inadequate fire department equipment brought a staggering loss of life. Within a half-hour, 146 workers had died, mostly young Jewish and Italian women, nearly half still in their teens. Two were only 14. More than a third of the victims jumped or fell from upper-story windows trying to escape the flames.
The 100th anniversary of the Triangle Fire is being commemorated by a remarkable array of events. As it does every year, Workers United, the union that represents garment workers, is sponsoring a ceremony at the site of the fire. (The building is now part of New York University.) Each year a fire department truck raises a ladder to the sixth floor, the highest its equipment could reach in 1911, painfully short of the eighth, ninth and tenth floors, where the fire occurred. Forums about the fire are being held in New York, Philadelphia, St. Paul, San Francisco and Los Angeles, and the City University of New York is sponsoring a conference on the fire and its legacy. HBO and PBS are airing documentaries. At least six Triangle-related plays and four musical theater pieces are being performed in cities across the country, including one composed by five-time Tony nominee Elizabeth Swados. Concerts, an art exhibit, a poetry contest and a forty-hour fast are being staged to mark the centennial.
The attention being given to Triangle stands out in a society that rarely remembers anything connected to workers’ lives, struggles or tragedies. Names like Homestead, Pullman and Flint, associated with decisive labor battles, mean nothing to most Americans. Yet even before the recent flurry of activity, the Triangle Fire occupied a modest niche in national culture, the subject of novels, historical studies, a film, plays, books of poetry, document collections, websites and even children’s books.
Why its prominence? After all, there were worse industrial disasters, including four mining accidents in the United States between 1907 and 1917, each of which killed more people than the New York fire. At the time, by one estimate, industrial accidents took at least 100 lives a day. And if Triangle was New York’s worst occupational disaster before 9/11, there were deadlier calamities, including the 1904 fire on the excursion ship General Slocum, which took well over 1,000 lives.
Triangle commands our notice in part because of the specifics of the disaster. There is something particularly horrifying about being trapped in a fire and plummeting through the air to escape it (so much so that ninety years later, on 9/11, newspapers and television generally refrained from showing images of people jumping from the World Trade Center). That so many of the victims were young and female added a layer of poignancy, as we commonly associate youth, especially young girls, with innocence, making their deaths seem even more undeserved than those of older victims of mining explosions and industrial accidents. And the Triangle Fire took place in the media capital of the country, receiving massive press coverage, including harrowing photographs difficult to forget.
But if the horror of death, of young life snuffed out, figures centrally in the Triangle story, particularly as relayed in poetry, fiction and young people’s literature, the story looms large for another reason: it fulfills a deeply held belief, or at least a yearning to believe, that good can come out of suffering, that death does not have to be in vain. “Out of the smoke and the flame,” not only “downward dashed the girls,” as an Episcopal minister wrote at the time, but also came a host of government reforms, union advances and a political approach that at least for a while eliminated many of the worst horrors associated with industrialization.
The Triangle Fire occurred at a moment of radical challenge to the national structures of power. For more than a decade the union movement had been growing in size and strength, stretching from conservative craft unions in the American Federation of Labor to the radical Industrial Workers of the World, with emerging garment worker unions combining elements of both. During the two years before the fire, a wave of protests had swept through the garment factories of New York and other cities, beginning with the “Uprising of the Twenty Thousand,” a general strike of young female makers of women’s blouses, including those employed by the Triangle Waist Company. The struggle of the “girl strikers” proved epic. For thirteen weeks the clothing companies used thugs and police to try to break the walkout, while the strikers won support from organized labor, socialists and women’s groups, including prominent figures like multimillionaire suffragist and socialite Alva Belmont. The strike ended in a partial victory, union settlements with some 300 companies (though not Triangle) and a general improvement of pay and conditions. The next year, a cloakmakers strike brought the “Protocols of Peace,” an innovative agreement with the employers that solidified the International Ladies’ Garment Workers Union and established a Joint Board of Sanitary Control to address the dangerous, unhealthy conditions that permeated the industry.